1/23/23

Best of 2022: Albums



This is my list of favorite albums for 2022.

2022 was one of those underwhelming years for music in a lot of ways. I'm comfortable with that. It doesn't always have to be a year where everything is the greatest thing ever.

That disclaimer out of the way, there were a bunch of records that I did really like. It's just nothing jumped out to me as having that intangible quality that makes a batch of songs feel superior to all the other batches of songs. It happens.

I actually made it to some live shows, which were a few of my friends playing the local bars. I didn't venture to anywhere new and Buffalo didn't seem to get much I was interested in. I should have made the drive to see Emily Robb and Bill Nace in Buffalo and Captured By Robots in Jamestown for old time's sake. I believe Rochester had a few gigs that would have been worth the effort to check out, but the mundane daily routine got in the way of leaving town. Between a combination of avoiding germs, not really drinking or going out any more, and no exciting bands touring or locally, it has been fairly easy to stay home.

Speaking of staying home, I purchased a new turntable from Crino's Music in Dunkirk. My old one was possibly haunted and an upgrade was long overdue. It's great having a record player that works properly again.

The reissue game wasn't as strong as the last couple of years. This is OK by me because not every record needs a 10, 15 or 20 year anniversary repressing. I have been doing a deep browsing of the Kranky Records discography and picking up vintage CDs I missed in the mid to late 1990s. They still have a bunch of old stock so this has been some fun collecting.

Marcia Bassett created a drifting album of modular synths, voice, flute, and field recordings. Kill Rock Stars dusted off their 5 Rue Christine imprint for a great long form drone record by MV Carbon of Metalux fame and artist Charlemagne Palestine. France's La Race also made a long form recording, but their album consisted of sparse no wave metal. Nail Club returned with a noisier and more abstract collection of synth pop. In a busy year, Leslie Keffer dropped two CDs worth of her signature techno. Ribbon Stage followed up their debut tape/7" with a full length of catchy and fuzzy indie rock that would fit in well with many of the underground bands of the 1990s. Michigan noise legends Wolf Eyes burned a few limited edition CD-Rs and I was happy to score a physical copy of Subs & Grinders. Lastly, as in it was the last record I bought in 2022, Ultra Violet Light label minder Jimmy Joe Roche concocted a short and fun album of modular synth explorations.

I decided my favorite release of 2022 was Sonic Youth's In/Out/In on Three Lobed Records. In/Out/In is a collection of older instrumentals and not technically a proper album, although it is sequenced as such. Two of the songs appeared on Three Lobed's 10th anniversary boxset and were the last official new material Sonic Youth released before they broke up so I've been listening to 40% of this disc for over a decade. It feels strange declaring this my album of the year, but it was the CD I listened to the most and made me the happiest. And I think that's what really should define your album of the year, even if I am a stickler for the specific minutiae regarding any release.

The list goes band/album/label for those with questions of that nature.

01. Marcia Bassett - Midnight Xpander - Yew
02. Horsegirl - Versions of Modern Performance - Matador
03. Leslie Keffer - Human Inosculation Part I & II- WEATNU Records
04. Nail Club - Mise en Abyme - Hot Releases
05. Charlemagne Palestine & MV Carbon - Liquiddd Changesss - 5 Rue Christine
06. Pitchwafuzz - You Find Yourself In A Place - Nonexistant Records
07. Puppet Wipes - The Stones Are Watching & They Can Be A Handful - Siltbreeze
08. La Race - Je Me Rapproche De Mon Squelette - Spleen Coffin
09. Ribbon Stage - Hit With The Most - K
10. Jimmy Joe Roche - Flicker Film in the Summer Breeze - Ultra Violet Light
11. Sonic Youth - In/Out/In - Three Lobed Records
12. Wolf Eyes - Subs & Grinders - self released

1/11/23

Best of 2022: Cassettes



All my favorite music was on tape for 2022. Not Not Fun churned out a ton of great stuff, even if their tapes skewed too heavy on the dudes with synthesizers side. Hot Releases quietly maybe had the best year ever. No Rent was consistently pushing the boundaries of noise and experimental music.

Constellation Tatsu and Hausu Mountain celebrated ten years in the biz with reissues of classic cassettes from their olden days. It was cool to pick up a couple releases I had missed.

I capped any label at two tapes and tried to get as much variety on the list as possible, although I bent the rule to allow three from Not Not Fun. It was once again a case of buying from the same small pool of labels I regularly buy from. I need to get back into exploring a little more for different sounds.

The best piece of music for 2022 was Moth Cock's triple cassette, Whipped Stream and Other Earthly Delights. It featured over three hours of Doug Gent and Pat Modugno's performances from livestreams on Twitch. The duo play an assortment of busted electronics and wind instruments. They truly took us to the fabled other zones with this tape set.

Argentina's Acid Twilight's fuller sounding sophomore effort expanded upon their mysterious hypnagogic sprawl. Marcia Bassett crafted more droning sonic landscapes on synths as a solo artist and on guitar with violinist Samara Lubelski. Tarotplane channeled the spirit of the now departed Manuel Göttsching for some contemporary Krautrock. I really liked the dark moods of AndLace and Broken Pillar. Chucha and DJ Chooch both made fine low tech techno tapes. Leslie Keffer and Rodger Stella, along with the White Suns, provided the much needed harsh noise for the year. Finally, Dan Friel returned with a new cassette of his signature sounds from the Yamaha toy keyboard he is famous for using.

As always any tape had to be released in the calendar year and I had to listen to it a lot. And if you are one of those types who needs a definitive cassette of the year, then that honor goes to Laurentian Voyage by Scout Island on Not Not Fun. Scout Island's Jared Carrigan created a collection of 19 brief instrumentals about a trip down a river in Minnesota that somehow occupy a vague space resembling early Cure and solo Roy Montgomery. Each song is a very catchy melody that perhaps could be developed further, but that would take away the casual charm. Less is usually more in most cases.

The list goes band/album/label for those with questions of that nature.

01. Acid Twilight - Mustang Zodiac - Not Not Fun
02. AndLace - Fabrik - Unifactor
03. Todd Barton - Spectral - Ultra Violet Light
04. Marcia Bassett - Undulating Akrasboning - Artsy Records
05. Marcia Bassett & Samara Lubelski - West Coast Live - Feeding Tube
06. Broken Pillar - Red Spider Lady - No Rent
07. Chucha - What Remains - Hot Releases
08. Cloning - Wet Circuits - Humanhood Recordings
09. Comfort Link - Cement Music - Spleen Coffin
10. DJ Chooch - Moongazer - Hot Releases
11. Dan Friel - Factoryland - Thrill Jockey
12. HelioGrave - s/t - Unifactor
13. Inkarose - A Love Letter To Water - Constellation Tatsu
14. Leslie Keffer & Rodger Stella - Angel Fix - No Rent
15. Chantal Michelle - Pulse, Puls​-​ar, Procession - Dinzu Artefacts
16. Moth Cock - Whipped Stream and Other Earthly Delights - Hausu Mountain
17. Scout Island - Laurentian Voyage - Not Not Fun
18. Severed+Said - Tragic Seeker - Not Not Fun
19. Tarotplane - Aeonium - Constellation Tatsu
20. White Suns - Dead Time - Orange Milk